If you were weaned on Russian literature: Dostoyevsky, Gogol, Tolstoy, Chekhov, you know exactly what nourishes the Russian soul—beyond vodka and borscht. Patriots, Peter Morgan’s play about the rise of Vladimir Putin at the Ethel Barrymore Theater, explores that pull through an oligarch’s power, and what happens when he loses it by his own hubris. A math prodigy, Boris Berezovsky (Michael Stuhlbarg) rises and maintains his wealth wheeling and dealing and situating those he manipulates in prominence. One such individual is Vladimir Putin (Will Keen), a nobody placed strategically until he becomes “president.” Eventually, fate finds Berezovsky exiled in London. While he is not poisoned to death as others in exile are, he simply cannot live outside his homeland.

Stuhlbarg displays Berezovsky’s ample appetites in a robust performance. Act II begins with him fishing in the Caribbean. Banquets look like bacchanals—native dance, available women. Restraint is shown by his colleagues Roman Abramovich (Luke Thallon) who does what he must to stay in power’s favor; ditto for Professor Perelman (Ron Guttman) with whom Berezovsky spars in matters of math and politics. Morgan’s book is smart, philosophical as these historic figures are given voice. Yeah, it must have been good to be outrageously rich in Russia’s 1990’s.

Under Rupert Gould’s expert direction, the power falls fast— the excesses of food, women, music dearly missed. As Putin, Will Keen is steely faced with no visible charm. You could not predict his demonic mind. Patriots at the very least creates a narrative of his rise as a man who, as we know, uses all means necessary to stay in power, to force his will on his people, and eventually declare war on neighboring countries to eliminate democracy and ideals. Loyalty to leadership, however a betrayal, is a big theme. (That red flag serves as a cautionary tale.) This we know, and still the drama feels like a tour de force.