• Whistleblower
    In Cowboys and Aliens, the enemies are horror fantasy monsters with a nod to James Cameron's classic creations down to their gooey mitts. In The Whistleblower, they can be government officials, policemen, friends and relations, evil in human form. 

    Based on the real life story of Nebraska cop Kathy Bolkovac, who gets a job with an international peacekeeping force in post-war Bosnia, the new movie is a thriller in which some members of the U.N. and U.S. State Department collude with contractors in the lucrative trade of human trafficking. Just doing her job, Bolkovac played by Rachel Weisz in the film, simply can't stop the violence against women committed by the men who are there to keep them safe. 

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  • Devils
    Mamma Mia's pretty boy, Dominic Cooper, turns ugly-twice– portraying the evil Uday Hussein, Saddam's sadistic psychopath son, as well as Latif Yahia, the Iraqi army lieutenant tortured into service as his body double. In sharp Armani suits, Cooper maintains a brutal edge for Iday, an enraged wounded soul for Latif. This accomplished performance, the first Oscar worthy Best Actor of the year, begs the question, can an Academy Award go to a portrait of a despicable character? Yes, Forest Whitaker won for his deft portrayal of Idi Amin. 

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  • THE SHOEMAKER
    In an old fashioned shoemaker's shop, to the sounds of opera from an antique radio, Danny Aiello sits head in hands. A woman (Alma Cuervo) barges in to say, I need a new sole. The pun signals: this shop strewn with shoes and old photos on the walls including one of an iconic pile of bones is a holy sanctuary in Susan Charlotte's play, The Shoemaker, at the Acorn Theater, directed by Antony Marsellis. An ambitious effort that also features a pair of pumps, a young woman caught in the drama of 9/11, and a voice from Holocaust era Italy (Michael Twaine), The Shoemaker is about, as the playwright said on opening night, walking out the door.

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  • AlecbaldwinCarr
    Guild Hall's John Drew Theater was packed on Friday night for the second film in the documentary series HIFF Summerdocs: Page One: Inside the New York Times. This fine glimpse at newspapers in the digital age so fits the Zeitgeist with the huge to do about ethics in journalism generated by the British tabloid scandal, that the film's main character, David Carr has become a television pundit facing off on Charlie Rose and other shows since the time of this documentary's June premiere at Lincoln Center. At a pre-screening reception at the Maidstone, Carr said the medium of television is not natural for him. “I'm just surviving.”

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  • Friends_with_benefits2

    Summer may be a time to chill, but when it comes to movies, some like it hot. The romantic comedy, Friends With Benefits, may sound smart and snappy with sex that sizzles, but in the end, the message is old fashioned: never let her go. 

    Do I hear Ezio Pinza crooning in the background? Well no. Friends With Benefits has a booming soundtrack that had me begging for silence. But it also winks at the classics like It Happened One Night. Are Justin Timberlake (as Dylan, an online art director) and Mila Kunis (as Jamie, a head hunter, no pun intended) this generation's Clark Gable and Claudette Colbert? 

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  • Wendi2 Just before she became all the rage on the news, backing her husband Rupert in hearings about the British tabloid scandal, famously diverting the path of a cream pie, Wendi Murdoch was interviewed in Southampton on Saturday at a private screening of a movie she co-produced with Florence Sloan, Snow Flower and the Secret Fan. 

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  • Morgan-and-nelson
    Morgan Freeman, the actor who portrayed Nelson Mandela in the movie Invictus, defined heroism at a luncheon of luminaries in television, theater, journalism, and film at the Four Seasons on Monday, July 18. The occasion: the 93rd birthday of Nelson Mandela, perhaps the most heroic man of our time for his 67 years of public service, his insistence on justice, equality, and dignity, his work to end apartheid, freeing both blacks –and thereby whites in South Africa. And what gift did “Madiba” want most for this celebration? 

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  • Hamptons-beach
    The Ross School gym was decked out as a lounge with plush sofas as “The Diva of Haiti,” Barbara Guillaume took the stage singing in jazzy Creole. The well-heeled crowd swayed enjoying quail eggs and grilled cheese washed down with fine champagne. Liev Schreiber, Fisher Stevens, and hosts Maria Bello and Mariska Hargitay shook hands and posed for photographs at this elegant fund-raiser brunch hosted by WeAdvance.org, GlobalDirt.org, and Plum Hamptons Magazine. “The Hamptons for Haiti Brunch” was dedicated to filling the enormous gap for medical aid, education, and other humanitarian causes for the people of Haiti. 

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  • Hair2011
    Hair is back! 

    The quintessential Age of Aquarius rock musical with its antic tribe, tie-dye tees, frayed jeans, mega frizz and naked joy, seems only to perfect with age. Having had a triumphant, award filled revival at the Delacorte in Central Park and Al Hirschfeld Theater on Broadway in 2009, now the show's touring company will run for ten-weeks at the St. James Theater. I wouldn't miss it.

    Of course Hair plays well for me, takes me back to that exuberant/ fearful time defined by Vietnam, when burning draft cards seemed the only sane course of action. But does it work for a younger age? I wondered what my 21 year old daughter would make of these flower children whipped into a frenzy, singing of sex, drugs, and freedom, whose trips high and low can quickly turn tragic. Then the clownish Berger fluffs his luxurious mane and strips to a fringed g-string, sticking his rump into the faces in the first row. She asks, Mom, did you know people like this? 

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  • LifeAboveAl Opening this week, Life, Above All, a film set in a small South African township, was the closing night feature of the Human Rights Watch Film Festival at Lincoln Center in June. Beautifully shot and wonderfully acted particularly by two young girls who had only the experience of singing in the school choir before being tapped for this project, the film offers a rare glimpse into a community ravaged not only by HIV/AIDS but prejudices that prevent addressing the problem. 

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  • SarahsKey Jewish mothers became the secret stars of the evening as Harvey Weinstein introduced a private screening of Sarah's Key at MoMA on Monday: the evening's host Diane von Furstenberg is such a mother as is his own, Miriam, who was in the audience, happy, he said, that this new film was not controversial in the manner of a recent Weinstein release, Julian Schnabel's Miral. Indeed, Sarah's Key, based upon the wildly popular novel by Tatiana de Rosnay and already a hit in Europe will not have B'nai Brith asking, Is it good for the Jews? 

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  • Project_nim
    Nim Chimsky, the star of a new movie, died too soon. A charming troublemaker, this chimp, the subject of an experiment in understanding language and communication begun at Columbia University in the '70's changed the lives of many people. That fact came to the fore at the premiere screening on Wednesday night of the new documentary, Project Nim, a bildungsroman if you will, limning his birth, maturation, and particularly his remarkable use of language.

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  • Shun Yun Spirits soar over snow capped mountains, a sword wielding hero, Wu Song, slays a man-eating tiger, a dance corps in Barbie pink clusters like plum blossoms, another twirls handkerchiefs, nymphs frolic in the waves. Heaven opens its gates. In spectacular color and gorgeous costumes, Shen Yun, a New York based arts group enacts the rich cultural heritage of China at the David H. Koch Theater at Lincoln Center. 

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  • The Perfect Host
    You'd be wise not to accept a glass of red wine from Warwick Wilson, the character played by David Hyde Pierce in his new movie, The Perfect Host. That epithet aside, let's just say his cooking skills may be impeccable, but his intentions are more than intoxicating. 

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  • Spiderman
    The crowd outside the Bowlmor on West 44th Street swelled into a non-menacing mini-mob. Harry Belafonte, Spike Lee, and Cindy Crawford snaked their families through, avoiding the plastic champagne flutes in the congested vestibule leading to two elevators carrying the party-ready up to the third and fourth floors. Nowhere to be seen: Spiderman: Turn Off the Dark's creators and their special guests, Bono, The Edge, Bill Clinton. Ousted director Julie Taymor graciously took a bow at the Foxwoods theater but never made it to the party, where celebrities disappeared behind heavily managed VIP curtains. But everyone else had ample comfort food (awesome mashed potatoes and meat loaf) and drink and a night of -what else-bowling! It was easy enough to swap shoes for the regulation lace up kind, but more often women slipped off their sling backs and took to the lanes in bare feet.  And what did people think of the famously beleaguered show? The consensus, at least among this well fed throng: they loved it!

    Regina Weinreich

    Graphic Design: Salpeter Ventura

     

  • Inside-TheNew-YorkTimes
    Bitching and moaning about the immensity of the newspaper of record, the way its cornucopia of offerings chewed into his writerly workday, the essayist Seymour Krim (who died in 1989) used to say, The New York Times made me. 

    How would he now navigate its terrain, both in gritty print and boundless cyberspace, had he lived to see our journalistic no man's land? How do many of us do it, fellow “near sighted cannoneers,” a term Krim took from cosmic Walt Whitman to describe the newspapers' and reporters' mid-century identity forged in that time's new media, taking aim, as it were, living up to a “majestic ideal” in truth-telling? 

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  • BobbyFischer
    Pawn to king 4. Last Tuesday, Bryant Park was a chess fest. Young and old, seasoned and novice players sat head in hands contemplating plastic pieces on the checkered mats. You could hear a pawn drop. Some, like Jay Bonin and Asa Hoffman, were guys I knew back in the day when I was dating my husband Bob Salpeter, a player who would haunt the clubs like the Marshall, a sponsor of this event. For me, a chess widow, this event was a reminder: in the game of chess, the queen has all the power, but the king is the prize.

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  • Rfk-jr
    He always shows up, said director Bill Haney, explaining why he bestowed a bald eagle crafted out of recycled moose antler by Iroquois Indian Stan Hill to Robert Kennedy, Jr. “He walks with kings and still has the common touch,” Haney went on praising Kennedy's commitment to the men and women in Appalachia threatened by the raping of coal from the mountains that secure their communities. Kennedy is also a star of Haney's new documentary, The Last Mountain.

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  • Dramadesk The Hammerstein Ballroom was packed for the Drama Desk Awards on Monday night. Broadway, off Broadway and off off Broadway casts and crews rubbed more than elbows, just getting to the stage at the announcements of their names. Rushing to receive his outstanding actor award for The Motherf**ker with the Hat, Bobby Cannavale locked Sutton Foster in embrace and hoped that she would be awarded next up. She was.

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  • Bruce Ricker2
    Jazz lost one of its own last week, with the death of Bruce Ricker. Not a player per se, Ricker, a lawyer with a passion for jazz assembled Jay McShann, Count Basie, and Big Joe Turner in Kansas City for a jam session and filmed it. The resulting Last of the Blue Devils (1979) was a unique historic moment, a gathering of musicians, sequenced as an extended riff, as close to spontaneous as the music itself. The much praised film caught the attention of Clint Eastwood and Ricker then helped Eastwood with the scores of several of his films including The Bridges of Madison County and Mystic River, to name two films lauded for their soundtracks. Collaborating with Charlotte Zwerin, Ricker made Straight No Chaser (1988), a documentary about Thelonius Monk, and more recently films about Dave Brubeck, Johnny Mercer, and Tony Bennett

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  • Buck
    Hello, I'm Buck, says the man in the large brimmed hat, brown leather jacket, brown stitch trimmed white shirt, and red silk tie with horses, completely disarming a guest to the private screening of a documentary film about him on Tuesday night. Buck, the movie, has been circulating the festivals, touted as a crowd-pleaser for its depiction of this man and his unusual way with horses. But what gets you when Buck shakes your hand is the intensity of his blue-eyed gaze.

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  • Kushner600
    Congratulations to Tony Kushner on the occasion of receiving an honorary doctorate from the City University of New York after a challenge from groups who miss the point of Kushner's impressive contribution to American arts and letters. His views on Middle East politics, however they reflect on what is good for the Jews, should be taken as a point of debate, in the same way that his literature poses thoughtful consideration of what it means to be alive today. Fortunately, his ample gifts are evident in his new play.

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  • Ives2 In a new documentary L'Amour Fou about the iconic Yves St. Laurent, it is hard to tell just what is the object of that besotted state: his work, his substantial art collection, his posh homes in Paris, Marrakech and Normandy, opulently decorated with antiques and woven fabrics. From the perspective of Pierre Berge, St. Laurent's lifelong companion, the film is perhaps an expression of the businessman's own mad devotion to the bespectacled designer who defined fashion in the mid century. In his view, YSL was an aloof workaholic, obsessed with sex and drugs, ambivalent to fame, and mainly depressed. Berge's own place in YSL's life comes off as more business than pleasure. This is not the ebullient Valentino and Giancarlo Giametti. 

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  • House-of-blue-leaves-krulwich-1
    Bananas may be bananas in the revival of John Guare's play The House of Blue Leaves directed by David Cromer at the Walter Kerr Theater, but in the scheme of this wry drama, set in 1965 Sunnyside, Queens, she looks appropriately far gone. As performed by Edie Falco in a fright wig, whose work was just nominated for a Tony for “Best Actress in a Featured Role in a Play,” Bananas pops pills and rolls her bug eyes, taking a cue from Falco's character on Showtime's Nurse Jackie. When you meet her husband Artie Shaughnessy (Ben Stiller) and his girlfriend Bunny (Jennifer Jason Leigh), a scheming couple with ample dreams of fame and limited talent, you can see why they would want Bananas out of the way. Stiller must work hard to be so good at singing mediocre. Enter a gorgeous blond movie star, Corrinna (Alison Pill), the Shaughnessy's son Ronnie (Christopher Abbott in a role originated by a young Ben Stiller), a kid with a few issues, and Artie's successful friend Billy Einhorn (Thomas Sadoski). The nutsy quotient is amplified by the entrance through a barred window of a trio of nuns hoping to see the Pope who is planning a visit. Yes, that Pope. The “little nun” is maybe a head taller than the other two with a hilarious Halley Feiffer in her Broadway debut. She is antic and sour-faced even as she leaves her calling, and reason enough to see this zany play that by end, turns surprisingly poignant.

    Regina Weinreich

    Graphic Design: Salpeter Ventura

     

  • Joel+Grey April 11. It was Joel Grey's birthday and what a celebration: an opening of an exhibition at the Museum of the City of New York featuring a chronology of his life in the theater and his own photographs with an essay by playwright Jon Robin Baitz. Explaining Grey's particular eye, Baitz calls Grey a magician, “a very close observer” of the city around him. 

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