recent posts
- Wagner Moura in The Secret Agent: A Cool Brazilian Gets an Oscar Nod
- Now on Oscar’s Short List: Holding Liat, a Documentary about the Harrowing Wait for a Hostage Freed from Gaza
- Paul Thomas Anderson’s Best Film at the 91st NYFCC at TAO Downtown
- Mariska Hargitay, Ken Burns, Alan Berliner: Non-Fiction Filmmakers Award Season
- David Amram: The First 95 Years at Dizzy’s Club
Category: Fim Festivals
-
The roar of engines and strain of race cars careening around a sharp curve make for the panache of the New York Film Festival’s final picture, but the real drama of Ferrari takes place within walls. As Enzo Ferrari, a brooding charismatic silver-haired Adam Driver is haunted by loss—of father, brother, son, friends–, he speaks…
-
Interviewed for Purist Magazine, the Oscar winning documentarian Alex Gibney was asked, how significant was it that his epic film on Paul Simon, IN RESTLESS DREAMS: THE MUSIC OF PAUL SIMON, would screen at this year’s HIFF. “Very, he’s coming home.” At a “Conversation With Paul Simon,” Simon spoke about his inspirations in music—doo wop…
-
Director/ Producer/ Co-writer/ Star Bradley Cooper gladhanded and hugged his wildly happy audience at the newly refurbished Geffen Hall, having been given permission by SAG to attend his passion project premiere of Maestro, centerpiece of the New York Film Festival. That his subject Leonard Bernstein had begun his career in this very place, conducting the…
-
A young actress is to star in a biopic as a woman whose claim to fame is sexual deviance. That’s the premise of Todd Haynes’ latest film, May December, opening the esteemed New York Film Festival this week. Gracie (Julianne Moore), a baker and housewife in Savannah, now married to her much younger lover with…
-
At 81, Martin Scorsese is not slowing down. Presenting his new epic drama, Killers of the Flower Moon this week at Alice Tully Hall, noting that his stars Leonardo DiCaprio, Robert DeNiro, and the radiant Lily Gladstone send their greetings, Scorsese kept it brief, knowing a three-hour film was in store. But what a riveting…
-
The glorious conceit of Mark Cousins’ documentary about British producer Jeremy Thomas is filming him from the passenger seat of a posh car on the way from London to Cannes, for the yearly film festival of festivals. A man of routines, Thomas followed the family business of filmmaking, always having a film to promote, but…
-
During the pandemic, Ozark was celebrating its latest season at the Plaza Hotel’s Oak Room. Laura Linney, one of its stars, dropped by the masked but crowded party—“on her way to Ireland to make a movie with Maggie Smith,” she said. Now that film, The Miracle Club, having just had its world premiere at the…
-
Among the pleasures of Tribeca this year, actors have taken the helm of movies, working well with other actors, and finding stories that reveal their strengths as directors. Actor John Slattery, well known for his role in Mad Men, is not just another pretty face. He premiered a film at the Tribeca Film Festival as…
-
Invited to a party to celebrate designer/ costumer Patricia Field and the fine documentary about her life and career premiering at Tribeca, one ponders the question: what to wear? After the Tribeca screening of Happy Clothes: A Film About Patricia Field directed by Michael Selditch, a colorful romp through her decades-long career in the business…
-
The only one of this year’s nine muses awarded by NYWIFT to actually have been in a movie as a muse, Sharon Stone played goddess to the hilt. At a packed 700-person luncheon at Cipriani 42nd Street, she spoke of growing up in a town so small there was no traffic light; watching Fred Astaire…
-
While many quibble with this year’s Oscar list for its lack of female directors, this year’s Rendez-vous with French Cinema; a yearly event hosted by Film at Lincoln Center and Unifrance, features two women with superb films. For Opening Night, Alice Winocour’s Revoir Paris, translating to Paris Memories, stars this year’s Cesar winner for Best…
-
Oscar watchers did not see Andrea Riseborough coming, even though she was on the tip of Cate Blanchett’s lips as she accepted a Critics Choice award for Best Actress for her tour de force performance in Tar. In almost a whisper, the formidable Blanchett, a frontrunner who has already won a slew of awards, noted…
-
Joining the party at Tao Downtown on a screen, Martin Scorsese looked genuinely bewildered as he presented the Best Picture award to the movie Tar, noting the extraordinary performance of its star Cate Blanchett. As Lydia Tar, a genius orchestra conductor, Blanchett rages and purrs, at times in impeccable German. Scorsese has indeed worked with…
-
At this year’s Hamptons International Film Festival, blame it on the vagaries of programming, but on one day two films featured such egregious abuse of the body, as if to highlight human excesses of all kinds. I speak of copious consumption of junk food, fine champagne to wash down, and then up projectile vomit, and…
-
You cannot take your eyes off Bill Nighy in his superb performance in Living, Oliver Hermanus’ film, the Hamptons International Film Festival opening night feature. A remake of Akira Kurasawa’s Ikiru with a script by Kazuo Ishigura, Living follows a man played by Nighy, a higher up in a bureaucracy that specializes—as is the nature…
-
The 60th New York Film Festival opens with a lot of noise, White Noise, that is. Noah Baumbach’s movie, adapted from Don DeLillo’s classic American 1985 novel, features the kind of ambient sound that barely registers, punctuated by the boom of train/freighter collisions in combustible flames exuding plumes of smoke. It’s a canvas of the…
-
Entering its 4th decade, the upcoming Hamptons International Film Festival features an impressive slate of offerings: Empire of Light, The Son, My Policeman, The Banshees of Inisherin, to name just a few that have wowed audiences at Toronto and other festivals. One documentary that premiered in Venice and played in Telluride is coming too: Nancy…
-
The abortion debate is personal. If you were around in 1973, as I was, a new hire in the English Department at Brooklyn College, you were privy to the harrowing stories of colleagues who had had unwanted pregnancies. This happened, not because they were reckless, but because of the prevailing notions that women could and…
-
Music docs at Tribeca have a common thread, record producer Hal Willner. In Angelheaded Hipster, about Mark Bolan and T. Rex, and Hallelujah, a Leonard Cohen biopic through the lens of his now classic song, Willner provides vital information on recordings. His presence in these films prior to his untimely death in the earliest wave…
gossipcentral.com 