Category: Film

  • Open Roads, an annual festival of new Italian cinema, kicked off this week at Film at Lincoln Center with a screening of Piranhas, directed by Claudio Giovannesi. Introducing his film, Giovannesi recalled having begun the script two years ago in New York, when he met with the novelist Roberto Saviano, the famed author of Gomorrah,…

  • Fashion designer Halston was a presence in Montauk in the heady 1970’s, renting from Andy Warhol on an oceanfront property east of town. One of the joys of Frederic Tcheng’s documentary Halston, produced by Roland Ballester, is seeing Halston at leisure with family seaside. Like Warhol’s estate, co-owned by filmmaker Paul Morrissey, Halston eventually went…

  • Selma director Ava DuVernay’s epic mini-series, When They See Us, to stream on Netflix, about a sensational case of racism and ill-justice reaching back to the late 1980’s, premiered at the Apollo Theater this week. Remember “wilding,” and five black teenagers convicted of a brutal rape of a jogger in Central Park, and their later…

  • Tattoo sporting white supremacists make skin crawl, almost as much as the violence perpetrated in the name of hate. Expanded from an Academy Award winning short, Guy Nattiv’s Skin, a feature at the 2019 Tribeca Film Festival, stars a scary Jamie Bell, in over his head with a homeland terrorist “family.” Dad is Bill Camp,…

  • Portraying his beloved Shakespeare at last, Kenneth Branagh, both director and star, imagines the bard’s life in his final years. “He was after all a man,” proclaimed Branagh, introducing his new film, All is True, to a Broadway elite at the SAG-AFTRA Foundation: The Robin Willians Center for an intimate premiere. The film’s idea: after…

  • Photo: Regina Weinreich Celebrating a retrospective at MoMA, cult filmmaker Abel Ferrara showed his music chops. The museum lobby, its platform facing the garden became a stage for Ferrara’s long time friends and collaborators Paul Hipp and Joe Delia, and some surprise vocalists Willem Dafoe, Gretchen Mol among them. Mol’s duet with Ferrara on guitar…

  • Purple over orange is always a good color choice, regal and elegant. The Film Society of Lincoln Center has had a makeover; Film at Lincoln Center reflects a shift in name and logo hue. Celebrating its 50th birthday this week, the yearly gala honored, not one career as in its traditional Chaplin Awards, but rather…

  • At the New York premiere of the documentary Amazing Grace, the recording session for Aretha Franklin’s historic 1972 gospel album, Clive Davis told an audience of many who knew the iconic singer, she invited him to dinner 40 years ago and asked, Could she be a hit? From this auspicious beginning, at a screening room…

  • When filmmaker Ross Kauffman pitched the idea for Tigerland, his latest documentary film to air on the Discovery Channel, he proclaimed to producers, including Fisher Stevens, that he did not want to make another The Cove, fine as it was, another doc about the poaching of animals in the wild. Oops, Stevens had produced the…

  • Director/ writer Laszlo Nemes won the Best Foreign Film Oscar for his 2015 debut, Son of Saul, a daring fiction feature set in Auschwitz. I met him as he was making the rounds during the award season. On one memorable night, he faced a most anxious moment, meeting Elie Wiesel, the novelist who wrote about…

  • This week Charles S. Cohen was presented with the insignia of Chevalier of the Legion of Honor at the Payne Whitney mansion, home of the Cultural Services of the French Embassy. Gerard Araud, Ambassador of France, conferred the honors, proclaiming, “I’m an ambassador so I’m not supposed to be funny.” Yet, he was. Following a…

  • The annual fete de films, Rendez-Vous with French Cinema, a collaboration between Unifrance and the Film Society of Lincoln Center, opened this week with a comedy, The Trouble with You. Director Pierre Salvadori introduced the film noting that most filmmakers in France are French New Wave influenced, but he is more inspired by Hollywood. “It’s…

  • What does exile look like? What does geographic displacement do to identity, and to the psyche? These were dilemmas addressed in much midcentury fiction, found in the writings of William S. Burroughs, Paul Bowles, and others. Now Anna Seghers’ 1944 novel Transit is brought to the screen from the German filmmaker Christian Petzold. When we…

  • “I see a sea of red,” became the cliché of the night at Lincoln Center’s Appel Room for the Woman’s Day Red Dress Awards. Indeed, red was encouraged for stars on the red carpet, Angela Bassett, Susan Lucci, and everyone else, and it seemed a giant homage to Valentine’s Day and the Chinese Lunar New…

  • When we ran into Melody Herzfeld at the Tony Awards, she seemed stunned at the place history had taken her. This week at a special screening of Song of Parkland, an HBO documentary directed by Amy Schatz, she had her Tony Award by her side, still stunned, and feeling guilty. She would have preferred a…

  • There aren’t any more Breslins or Hamills, exemplars of a masculine New York postwar street journalism. Now these superstars of newsroom culture star in a state of the art documentary, Breslin and Hamill: Deadline Artists, to air this week on HBO. At a star-studded premiere at the Time Warner Center with dinner at Porterhouse, they…

  • Now that the Academy Award nominations are out, with Roma, Capernaum, The Shoplifters, Cold War and Never Look Away the academy’s picks for Best Foreign film, the winner in this category will be hard to predict. Opening in theaters this week, Germany’s Oscar entry, Florian Henckel von Donnersmarck’s Never Look Away, provides a glimpse into…

  • Non-fiction films take center stage at the Cinema Eye Honors, awards for the art of documentary filmmaking. At the Museum of the Moving Image this week, pioneers and newcomers to the field, gathered to recognize achievement in editing, directing, graphic design or animation, cinematography and other aspects of story-telling craft. Oscar voters have their own…

  • The road movie Green Book, winner of numerous awards this week, is also shadowed by controversy. Are recent discoveries of racist tweets an attempt to bring down what is for many the Oscar film of the year? At a celebration for Green Book at Patsy’s Restaurant this week, friends and family of both jazz pianist…

  • With this year’s Golden Globes in Hollywood preceding the New York Film Critics Circle’s annual award dinner by a night, the big question was how did directors like Alfonso Cuaron (Roma) or actors like Regina King (If Beale Street Could Talk), winners at both events, traverse the country with such speed, looking fresh as can…

  • Celebrating her new movie Mary Queen of Scots this week at the Monkey Bar, the actress Saoirse Ronan, now 24, said she’s has wanted to play the role of this ill-fated queen since she was 18. “Mary is a big deal where I come from, an icon,” she noted, and though many notable actresses have…

  • For Oscars, the Best Foreign Language Film category is often a fierce race with some of the year’s best offerings. When The New York Film Critics Circle anointed Alfonso Cuaron’s Mexican-language Roma best film, the move acknowledged a “darling” that’s been on many critics’ “best” and “favorite” lists beating out American or English language hits…

  • Reviving the classic antics of the premiere comedy duo of the 1930’s is no joke. A new movie, Stan & Ollie, features performances by John C. Reilly and Steve Coogan, based on the final tour of the very lean Stan Laurel and the very large Oliver Hardy, as their fame declined. With a script by…

  • “I don’t sing. I never touched a piano,” Rami Malek told filmmakers at his audition for Bohemian Rhapsody. That did not stop him from incarnating Freddie Mercury, Queen’s frontman until he died of AIDS, in a role that just earned Malek a Golden Globe nomination for Best Actor in a Drama and may be a…

  • It was the lustful look as Glenn Close’s character locked eyes with Michael Douglas at dinner in the clip from the unforgettable Fatal Attraction that was truly the show stopper at the 583 Park Avenue party space where The Museum of the Moving Image held their gala honoring Close’s extraordinary career on stage and screen…