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about: Regina Weinreich

Category: Books

  • Wynton Marsalis Swings at Guild Hall

    “Let’s swing,” exclaimed Wynton Marsalis from the rear of the Guild Hall stage, leading into a stellar night of sublime sound featuring the Jazz at Lincoln Center orchestra. Of course, this was Wynton’s triumph—a recognition of jazz as American classical music and the final stop in a U. S. and Canada tour. The 90-minute set…

  • Carrie Coon: The Guilty Pleasures of The Gilded Age

    Not to judge her too harshly, Bertha Russell as played to perfection by Carrie Coon, is a piece of work. Machinations galore do not make this doyenne of new money a bad person, just one you fear, and one you hope will succeed. That is the triumph of Season 3 of “The Gilded Age:” a…

  • Jack Kerouac: A Vision of an Alt-America Screens at the Tribeca Film Festival

    Midcentury author Jack Kerouac is the least dead of dead writers. When he died in 1969 at the age of 47, he left behind unpublished manuscripts and an untoward legacy as the so-called “King of the Beats.” His most famous novel On the Road, a road trip, a bromance, a linguistic tour de force, went…

  • Remembering Ira Cohen: At the Cosmic Hotel on the Bowery

    Ever asking the question, “What is this mystery, this you and I,” Ira Cohen was a giant frump with a full fuzzy beard, a shaman, a guru, a poet/ photographer/ filmmaker. Long a fixture of downtown New York, he was beloved by many. At the Bowery Poetry Club, he was celebrated by surrealist art impresario…

  • Susan Stroman: A Smash on Broadway, and at The Rainbow Room

    “It’s meta, it’s very funny, about a bunch of creatives trying to put on a musical about Marilyn Monroe,” said choreographer/ director/ theater legend Susan Stroman about her current Broadway musical, “Smash.” “It’s really about what it takes to create something—whether it’s a musical or something in life.” That’s the energy Stro –as she’s called–…

  • Robert DeNiro in The Alto Knights: Holding Court in a Room of Writers

    Based on a true story, THE ALTO KNIGHTS stars Robert DeNiro in two roles: best frenemies Frank Costello and Vito Genovese. Childhood pals, they hung out in The Alto Knights social club. Dapper, refined for a mobster, Costello wants out of “the business.” Scruffy and rude, Genovese wants in—that is, to reclaim his head-of-the-family position…

  • The Jonathan Larson Project: His Words, His Music Downtown

    A new musical revue, The Jonathan Larson Project, at the Orpheum Theater on Second Avenue is proof of a simple fact: there’s never enough Jonathan Larson. Sure, opening night was a fan fest, with many having sampled the work the writer/ composer left behind after his truly untimely death on the eve of his Rent’s…

  • RaMell Ross’ The Nickel Boys: Re-Viewing Racial Injustice

    Harrowing tales of black boys and men during the Jim Crow era are the meat and potatoes of Pulitzer Prize winning author Colson Whitehead’s fiction. When filmmaker RaMell Ross, who made the acclaimed 2018 documentary “Hale County, This Morning, This Evening,” was given an advanced reading copy of Whitehead’s The Nickel Boys, he was working…

  • Remembering Paul Morrissey 

    From the edgy look of his movies—FLESH, TRASH, HEAT, to name a few–you would never think of Paul Morrissey as deeply religious. With his friend and partner Andy Warhol, a fellow Catholic, he made art, collaborating on many cinema-verite films and other ventures including the purchase of cliff-high acreage in Montauk overlooking the Atlantic. The…

  • Luca Guadagnino’s Queer at the New York Film Festival: Daniel Craig Looking for Love

    The novels of William S. Burroughs may be difficult to adapt—just ask David Cronenberg—but in the able imagination of Luca Guadagnino, the transformation of Queer to film is a triumph. The packed audience at the recent Alice Tully Hall premiere, a high point at this year’s New York Film Festival, went wild as the creative…

  • Julianna Margulies and Peter Gallagher in Left on Tenth:  A Rom-Com on Broadway

    Forget “meet-cute,” the winning rom-com trope that made writer Delia Ephron’s career. In Left on Tenth, Ephron’s play based on her memoir at the James Earl Jones Theater about finding love after her husband died, we get the more powerful “Bechert.” As Peter Gallagher, in the role of Peter explains, it is Yiddish for fated,…

  • Bob Balaban Directs Blythe Danner, Edie Falco, Alec Baldwin for 2024: The Pursuit of Happiness at Guild Hall

    Begging the question: is it too soon to laugh about the pandemic year, 2020, a collection of short plays by masterful playwrights, did just that in a one-nighter at Guild Hall, directed by Bob Balaban. That was July 2021. Now for July 2024, as we ponder where we are in an arguably post-pandemic year, Balaban…

  • Remembering Audrey Flack

    At the end of Audrey Flack’s new memoir, With Darkness Came Stars, published when she was 92, she takes stock of a life well lived: I am lucky that my mind remains clear and sharp, filled with ideas for new art. The creative spirit is running strong and I continue to work. These words, and…

  • Michael Stuhlbarg in Patriots: Bye Bye Boris

    If you were weaned on Russian literature: Dostoyevsky, Gogol, Tolstoy, Chekhov, you know exactly what nourishes the Russian soul—beyond vodka and borscht. Patriots, Peter Morgan’s play about the rise of Vladimir Putin at the Ethel Barrymore Theater, explores that pull through an oligarch’s power, and what happens when he loses it by his own hubris.…

  • Bernadette Peters’ Joke: Posh Meets Borscht Belt as Guild Hall Returns to the Rainbow Room

    Guild Hall Academy of the Arts President, the painter Eric Fischl got to hone his comedy chops at this year’s spring gala, fashioning a speech on a string of cliches—thanks to A. I. That set the night off in good spirits, against The Rainbow Room’s customary spectacular panoramic views of the city now fogged in,…

  • Jeremy Strong and Michael Imperioli in Ibsen’s An Enemy of the People

    If the players were not dressed in late 19th century fitted jackets, and the Circle in the Square stage not set as the interior of a fine Norwegian home with old school furnishings, you might think An Enemy of the People was a pandemic era drama of science vs. profit. Jeremy Strong–vulnerable as he was…

  • ORIGIN Premieres at Alice Tully Hall: A Docu-Drama of Ideas About Societal Divisions

    At the swank premiere of Ava Du Vernay’s new film ORIGIN at Alice Tully Hall last week, made evident: this director is fearless. Taking Caste: The Origins of Our Discontents, a 2020 best-selling book by Isabel Wilkerson, DuVernay created her own genre, taking the lessons of the book, folding them into the narrative of the…

  • Barbie at the Peninsula: A Doll Rules

    In the doll metaverse, Barbie is queen. A party at the posh Peninsula Hotel brought together her movie creators with members of the Academy to anoint her with awards. The movie about her has had world domination in sales. Even in Morocco, where I saw it when it was released in July along with Oppenheimer—famously…

  • Harmony on Broadway: The Pre-Show Schmooze

    The Ethyl Barrymore Theater was abuzz: Michael Feinstein, Brian Stokes Mitchell, and Lorna Luft were among the theater elite at Harmony’s opening night. Sutton Foster said she was ready to be evil, stepping in to bake meat pies as Mrs. Lovett in Sweeney Todd. Judd Hirsch sat with Marilu Henner, the Taxi team to appear…

  • Tangled Up in Tulsa: Bob Dylan: Mixing Up the Medicine 

    Everyone remembers their first Dylan concert. Mine was historic: When Dylan switched guitars, from acoustic to electric, when crowds stormed the stage in protest. No, this was not the more famous concert in Newport. This was a few days later, in Forest Hills. A friend and I, two immigrant teens took the subway from Brooklyn…

  • Yoshiki at Carnegie Hall: The Unexpected Pleasures of Loss

    The international superstar, Yoshiki, celebrated a 10th anniversary “World Tour with Orchestra 2023 ‘Requiem,’” its final leg at Carnegie Hall this week. Displaying awesome musical chops at piano and drums in the separate genres of classical and rock, Yoshiki, clad in red lame coat, dedicated the tour to the passing of his beloved mother who…

  • Michael Mann’s Ferrari Closes the New York Film Festival: The Triumph and Disaster of Fast Cars and Men

    The roar of engines and strain of race cars careening around a sharp curve make for the panache of the New York Film Festival’s final picture, but the real drama of Ferrari takes place within walls. As Enzo Ferrari, a brooding charismatic silver-haired Adam Driver is haunted by loss—of father, brother, son, friends–, he speaks…

  • Bradley Cooper Shows Up for Maestro: A Historic Premiere at David Geffen Hall

    Director/ Producer/ Co-writer/ Star Bradley Cooper gladhanded and hugged his wildly happy audience at the newly refurbished Geffen Hall, having been given permission by SAG to attend his passion project premiere of Maestro, centerpiece of the New York Film Festival. That his subject Leonard Bernstein had begun his career in this very place, conducting the…

  • Hamptons Journal: Bob Colacello at The Peter Marino Foundation/ Hanzhi Wang at LongHouse

    Writer Bob Colacello is the best kind of gossip; he observes people with a big heart and humor. In his latest book, an art volume of vintage New York photos by David Jimenez, accompanied by his text—a forgetting, as Colacello told a packed house at the Peter Marino Foundation in a conversation with Ivorypress publisher…

  • Remembering Brice Marden in Tangier

    You know the old adage: I would have paid more attention had I realized how important it was. In 1983 when I taught a summer writing workshop in Tangier with Paul Bowles at the American School of Tangier, the School of Visual Arts, under the leadership of founder Silas Rhodes invited a distinguished faculty that…