recent posts
- Zach Bryan Buys the On the Road Scroll/ Happy Birthday, Jack Kerouac!
- William S. Burroughs/ Nova ’78 at MoMA/ Remembering James Grauerholz
- Jacob Elordi in Wuthering Heights: Monster Mash
- Wagner Moura in The Secret Agent: A Cool Brazilian Gets an Oscar Nod
- Now on Oscar’s Short List: Holding Liat, a Documentary about the Harrowing Wait for a Hostage Freed from Gaza
Category: Art
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Two white sculptures stood grandly erect on a corridor of green, stately gentlemen greeting guests for the annual summer benefit at LongHouse Reserve in East Hampton. In plaster over burlap, the work by the artist/ filmmaker/ sculptor Julian Schnabel fit the earthy yet well-groomed site, a home to art by Yoko Ono and Buckminster Fuller.…
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The sound of typewriter clicks permeates “Camp: Notes on Fashion” the Metropolitan Museum’s Costume Institute’s extravaganza exhibition, relieved only by a recording of Judy Garland singing “Over the Rainbow,” from The Wizard of Oz. The MET gala, its yearly benefit this week, may only exist as a distraction from all that the “Camp” show shows,…
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The Jewish Museum opens a dynamic homage to Canadian poet/ songman/ novelist/ cultural icon Leonard Cohen this week, focused on his art, and work from others inspired by his life and oeuvre. Staring up at an image of myself reclined comfortably, I experienced his “Famous Blue Raincoat” with words projected on the walls as well…
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Back in the day, at the height of abstract expressionism, Warhol was the enemy. When subjectivity in art was all the rage—i.e. Jackson Pollock’s drip paintings– Warhol was commodifying soup cans, world leaders, and other celebrities. Such artists as de Kooning and Kline would enjoy more than their 15 minutes of fame, and Warhol with…
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“Contemporary art is a luxury brand,” declared HBO’s Richard Plepler, introducing Nathaniel Kahn’s excellent, entertaining documentary, The Price of Everything, at a posh premiere at MoMA last week. “And the artist is our last best hope.” These words were not lost on a crowd that included artists like George Condo, Marilyn Minter, Larry Poons and…
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When New York Times photographer Bill Cunningham would train his camera on you—whether at a posh opening or on the street—it made your day. Anna Wintour –Cunningham photographed the Vogue editor since she was a teen—famously used to say, “One dresses for Bill.” His discerning eye assessed celebrities and civilians alike, snapping those with elan, style,…
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Stealth operations are hardly associated with Guild Hall, the premiere arts institution of East Hampton, but as artistic director Andrea Grover announced at the summer gala this week, on a horse farm in Amagansett, more and more, Guild Hall is commissioning the work of emerging artists, “a quiet revolution,” as it were. Established artists…
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In his memoir, Without Stopping, the American writer and composer Paul Bowles describes a party held on the beach in North Africa’s Caves of Hercules, with one grotto that had been decorated by Cecil Beaton. Truman Capote, fearful of scorpions, had to be carried down the face of the cliff by a group of Moroccans.…
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When Laurie Anderson talks about carrying no baggage in her new book, All the Things I Lost in the Flood, a tome literally about loss, of precious objects and dross, of anything that weighs you down, take her seriously. At her current one-woman exhibition at Guild Hall, comprised of large scale paintings of her dog…
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To say the latest MET Costume Institute exhibition, “Heavenly Bodies: Fashion and the Catholic Imagination,” is up there, as gorgeous, generous, and sumptuous as these yearly shows get, is to flirt with the ethereal. The Catholic imagination, as His Eminence Timothy Michael Cardinal Dolan, Archbishop of New York, stated in his remarks at the MET’s…
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Eric Fischl might be the East End’s busiest artist: aside from painting, and showing his work, the North Haven-based painter is President of Guild Hall’s Academy of the Arts, and active with his wife April Gornik in the effort to rebuild the Sag Harbor Cinema as a community film and arts center. When he was…
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Photorealism had its moment as a genre of painting in the 1970’s, right? The exhibition at the Parrish Art Museum, featuring paintings from every decade since then, gives ample proof that Photorealism has not gone away. Rather the exhibition “From Lens to Eye to Hand: Photorealism 1969 to Today,” provides vibrant work from many artists…
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A simple walk through Guild Hall’s exhibition “Avedon’s America” is an encounter with the familiar. Portraits from the world of pop culture: Hendrix, Joplin, Dylan, along with iconic fashion work like Dovima with elephants, evening dress by Dior, Cirque d’Hiver, Paris, August 1955, grace the walls. A favorite portrait of mine is the loving embrace…
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The grounds at Watermill Center, Robert Wilson’s art retreat on the east end are always difficult to navigate, what with slippery grasses and rock paths. It would have been good to follow Daedalus’ flight, as the evening’s theme suggested, flying high—but not too high– into the sun. Alas in myth, the sun’s heat melts his…
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By 7:05 PM, just when a “Fountain of Color” explosion event was planned to surprise guests at the cocktail hour and art viewing at LongHouse Reserve’s gala on Saturday, organizers had to announce instead that because of extremely dry weather conditions, Cai Guo-Qaing’s artistic contribution would not occur. Of course the irony was not missed:…
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Russell Simmons’ Rush Philanthropic Arts Foundation Art for Life Benefit is always a great night, but this year’s benefit, “Midnight at the Oasis,” at Fairview Farms in Bridgehampton, was special thanks to a performance by Cynthia Erivo. Much beloved for her Tony awarded turn as Celie in last year’s revival of The Color Purple, Erivo…
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Errol Morris’ new film, The B-Side: Elsa Dorfman’s Portrait Photography, is his most intimate yet. Usually working with out-sized personalities, McNamara to Rumsfeld, the murderous gasman of Zyklon B, to point at a few of his subjects, documentarian Errol Morris has the further distinction with his 1985 The Thin Blue Line, of having changed the…
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At a grand exhibition at Guild Hall of Taryn Simon’s photography, a man of color looks out from his seat at a bar. The site could be the iconic American working class watering hole in Lynn Nottage’s Sweat on Broadway, with Christmas lights dangling down. But it is the American Legion Post 310 in San…
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Based on a children’s book by Jules Feiffer, the musical “The Man in the Ceiling,” premiering at Bay Street Theater, celebrates creativity, and more specifically the art of cartooning. From the perspective of Jimmy, a kid whose father only wants him to play ball like the other kids, this is also a story about following…
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Florine Stettheimer had a charmed life, to judge from the expansive, colorful, and grand exhibition at the Jewish Museum. An artist born to wealth, she painted her milieu: “Spring Sale at Bendel’s,” “Asbury Park South,” parades, parties, picnics, groups together enjoying life, and portraits like the one of Marcel Duchamp and Rrose Selavy, or her…
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